SKYSCRAPER TECTONICS - Shaya Block
From the edge of the river
The backhoe-exorcised
Plates of pleated steel -
Knapped -
Rapture from the earth;
An acheulean hand ax lying in wait.
Some flimsy bit -
From an archeological site -
Of evidence
That people built here;
That there was something worth
Keeping the rain out,
Keeping the bright heat arching
between the steel limbs -
That despite their insignificance
Worked and died here
For something more
Than a ground-pressed stone, the fracture
Of a labored monument.
A pressure-flaked unit of dead time;
Jutting from the sidewalk
Atom thin like a ripple
Of potato chip; Its obsidian edge sheer
Against the scalpel-sliced ozone
By the recent formation of peaks and valleys
Dragging down and cutting through
The space
between the east and west
Rivers
of a more methodical type
Of incision upon the land;
Erosion knapps
With its old whetstone wheel;
And when the banks have long-since been
Washed away and receded -
Constricting the prism of obsidian
From both sides
With diamond-pressure
Two miles of tinted panes
end-to-end, lazily paved
In macadam and cullet rubble.
The Manhattan shelf worn
To palm-sized shards.
The thinness of what’s left
Haiku Collection - Shaya Block
CASUAL MISCOMMUNICATION OVER PIE
You’re such a fucking
Idiot! Ugh! I love you,
But shut your pie hole
DRAWING CONCLUSIONS FROM MY WINDOW
In sunrise squirrels
Chirp and Caw and Rustle and
Brawl for the street nuts
G.O.A.L.S. - GENERAL ORDINARY AUTOMATED LEARNING SYSTEM
Listen up, class is
About to begin after
These quick messages
HOSTAGE NEGOTIATION PHONE CALL NEXT DOOR
Hello? Hello? I
Can’t tell if you’re a robot
Scammer or my son
LATE ESSAY ALL NIGHTER
Stressing a lack of
Time, to boil coffee water
Instead I wait here
MODERN AMERICAN LATE PASS
Even the teacher
Was tardy, the day after
A mild mass shooting
THE MODERN AMERICAN GETTING OF TAIL
Oooh ooh aah aah reach
Around the monkey, grab the
Base tight, up - down - repeat
THE SHRINKAGE FACTORS
I was in the pool
Jerry. Shrinkage! Jerry it
Was shrinkage I swear.
WHEN SOMEONE WON’T STOP
Talking and talking
And talking, and you almost
Ditch society
The Art of Trauma
To excavate this
Foundation at its acme
Hold in the Rubble
THE KINGDOMS OF INFERTILITY - Shaya Block
We can no longer reproduce
With the feminine
Chthonic gods
Of the earth
The underworld
Because we segregated
Ourselves in the strong scent
of static-wet
In the Olympic-clouded sky
As if a strong gaze
Down on the spartans
Wrestling deep
In the unlit barracks
Olive-oil fucking
Until discharged
At 30
Could birth a child
I HAVE A QUESTION FOR POPE URBAN THE VIII - Shaya Block
The roman catholic church ordered
Galileo, upon the heresy of his innovation, to
Cease and desist,
imprisonment or death,
Because
We can’t find heaven
Sandwiched neatly between
The edge of our atmosphere
And the moon,
Swirling around
the grand helios center,
Off center, a wrong step could
Spill the sandwich meat
Of dead relatives and kings -
In the kingdom of Jesus -
At the cosmic deli counter
You don't want to make a mess
Or grab the wrong number
MALT WHISKEY - Shaya Block
I propose a new god
A 40 oz god,
And I wish I knew how to bake bread
Maybe they would teach me.
I could see myself with my vulnerable hand
Dipping it into the levain
Starter, birthed from the mother.
A kernel of rebirth -
Hooking the links
Between chains
Of gluten, stucco-bonded
Endosperm particles smeared firm,
And set to crust.
And Unscrewed from the brown lamp -
Reborn
from the germ of the too-old seed.
Pinching the conveyer-fed bread,
Trying to find the perfect body -
Not too hard, definitely not too soft -
I don’t want bread that doesn’t crack
At the whim of my thumb and forefinger.
I want to sin
To bake into the body
The perfect crispy christness
Break open the sternum
into three steaming hot loaves
That can never love you back
Quite as much as your love for them
Demands from you.
The yeast is too expensive anyway,
So let’s get back to that god.
Wait
Until the seedling pushes forth
Its first shoot, sprouting,
penetrating the husk.
All liquored and fed
Off the old god’s body,
Sopping the stomach
With stale bread,
And letting loose the endosperm
Onto the world’s back.
Push your head
into our fresh air:
Past the bran and down the bottle-neck.
Scrape down
The bowlside-stucco
with a flat-scraper
The paste sticking my hands
To stop me from sinning
With the perfectly-toned
rock-hard body of christ
For The Girls - Victoria Zickas
My name is Victoria (Tori) Zickas and I started taking writing seriously in my freshmen year of college. I usually write poetry, but sometimes I write short stories too. I started off as a criminal justice major here at UAlbany and switched to an English major all because of one creative writing class. Anything is possible :)
***
For all of the ones wearing the pants
Juggling love and independence
Smacking their boyfriends in the back of the head
For saying some stupid, offensive shit
For the ones who stay, even though they shouldn’t
Who lose parts of themselves
Just for a ritualistic sacrifice
For a bummy, butt-ugly man
For all the ones who remain silent
Quietly gagging themselves to
Keep the lunk alarm from going off
Not wanting to disturb the water
For the ones who are constantly let down
By all the men that infiltrate their lives,
Causing grief and strife
Leaving permanent scars in your minds
For the ones hiding in the corners of their mind
Scared to make the much-needed decision
Of ending the generous exploitation
They should have never received
For the ones with the most resilience
Choosing themselves for once
And ending their own cycle
Of borderline self-harm
For the ones that deserved better
Who can’t realize when enough is enough
Because they realized the apathy too late
Or never realized how much value they have
Because another man can love you harder and better
Without having to ask
Or never protected their own peace
For the sake of a man who never truly cared
Or never took the time to explore themselves
Becoming a slave to the “man” who once “saved” you
My personal favorite
Because I am just like you
Anyway, my point is
I would like to personally thank you
So, let me raise a glass
For all of the girls
They tried to take my wild - Tammy Diaz
Tammy is back in school for her second Bachelor's in Spanish. She has been working as a veterinary technician but is now leaning into things she has always been passionate about and didn't give enough time for in the past. Creative writing, speaking Spanish, karaoke, hiking, mental health, and traveling are at the top of the priority list now. She is an independent, Latinx, homeowner in Troy and lives with her three dogs and cat.
***
All the names I've been called, because of racism, misogyny and ignorance,
swirl in my thoughts.
They sweep into my head, at random times of day,
planting their little intrusive thoughts,
like seeds, trying to take over the garden of my mind.
The cards were always stacked against me, having been born in a country
taken by force in the name of colonialism and the patriarchy.
How dare I have the audacity to look like me.
When I was born, I looked more Asian.
My eyes were narrower, and my hair was wild.
As my hair grew longer and darker,
the wilder my spirit grew and my joy for life.
As a child, my brown skin and my black hair,
Identified me as Latina.
And only Latina.
In the 90s, for my friends and I, the word mixed was reserved for African Americans.
Even though I was also mixed, I never identified myself that way.
I had obachans* and abuelas.
With my mom, we greeted each other in Japanese in the mornings and when we went to sleep.
I never saw it as something different, because it was my normal.
I spoke Spanish with my mom and dad, and English with my friends.
There was no talk of it being possible to be mixed or blended in any other way.
I grew up in a very diverse community, but then we moved to Dutchess County in New York.
The sidewalks I was used to being surrounded by, were now replaced by endless woods.
The diversity I was used to, was replaced by a sea of white faces,
in the hallways of the school.
Unknowingly, the more white friends I made,
the more I erased my culture to fit in and be smaller.
So as not to stick out.
I tamed myself as I was expected to,
and silenced my loud and excited nature.
You're Mexican, right?
No, she is Filipino.
What are you?
I started distancing myself from Spanish and my parents for having accents,
and for not being like all the other parents.
What do your parents do for work?
I was embarrassed by these questions.
Where we used to live, it was normal for immigrant parents to work cleaning houses
and work in construction.
But most of these questions came from white adults.
from my friends' parents.
Typically, during a dinner I was invited to.
The initial chance to not be trapped in my house and being able to stay overnight was a lot of fun,
but I felt deflated when they asked me things like that.
I suppressed my anger, and my defenses crumpled into timidness.
I developed the ability to identify and befriend the outcasts,
or the people that others thought were weird.
I felt stronger and like I had superpowers, when I stood up for others.
But, for a long time, I couldn't do it for myself.
I shrank myself even more with all my white boyfriends.
Can you shave your sideburns?
I straightened my thick, frizzy hair and shaved my arms instead.
One day the song "Born in the USA" by Bruce Springsteen, was playing, when an ex said to me:
Does this song make you angry? Because you weren't born here?
It was a joke, but he always expected me to laugh,
And to never get too hung up or uptight about anything.
If I got angry, the stereotypes would come out:
She's getting feisty!
Just another angry Latina.
My partners knew that my mom was Japanese Peruvian, and my father was Chilean.
But their parents never understood it.
Especially with the rise of racism with immigration issues
and the border being a hot topic in politics and the news.
They wanted an easy label for me.
Tammy is not Latina, she is Asian.
This is what an ex's mother told me, after knowing me for years.
As if being Latina was a dirty thing.
At the peak of my unhappiness and being completely lost,
I cut off all my hair, as if not having the weight of it would free me.
I wanted to untangle from everything that was expected of me.
I wanted to get rid of all the pressure I was feeling.
But I still felt too inadequate to claim any identity.
My cousins in Chile used to tell me:
You are truly a gringa.
My Latina American amigas, called me preppy, because I was studious and liked school.
I never identified myself as Asian, because I didn't have any Japanese friends.
And I only learned bits and pieces of the culture from my obachans, when they came to visit.
I never knew which box to check on the census.
And it wasn't until I was in my mid-twenties that I dove deep
into appreciating and learning the different parts of my culture.
The different parts of my identity.
So much history that I didn't know and was never taught;
And I'm still learning.
The more I learn, the more my wildness returns.
I'm more comfortable in my own body than I've ever been.
My hair will grow long and my wild will regain her power,
once more.
My joy of life has returned because I'm now happy being different.
I’m happy being a weird Latina.
I'm happy I don't fit into a perfect box.
I am an educated, queer, feminist yonsei-latinx.
Now I'm standing up and defending myself, for once.
(*Obachan is the Japanese word for grandma)
(*Yonsei is a Japanese diaspora term used in countries such as Latin America, to specify the great-grandchildren of Japanese immigrants. The fourth generation.)
Atenuación - Jelisa Gonzalez
I have to learn to accept
That I will never one hundred percent
Understand my mother
Being bilingüe
Means speaking to my mother
In a broken spanish
More of the,
“Hi mom ¿como estas?”
And answering
“ I’m good, ¿Cómo están todo para aya?”
She will ask me si bebí mi ocho copas de agua,
And I would turn the camera to hide my smirk
From the screen
I did not
Drink my ocho copas de agua
To say that I have accepted
My broken spanish
Is an understatement
La llorona - Jelisa Gonzalez
Soy una llorona,
I am the crier.
For reasons I want to believe are out of my control.
For reasons I know are choices within my control.
For reasons I am sure will be carried throughout my life.
Soy una llorona,
For I came out of my mother crying
gasping for respite
a breather, some air
more air.
Come to realize that there was never enough air up above that could contain the force that was me.
Soy una llorona,
So much so that as a child
I would scream, cry, kick,
Anything,
To receive the attention, I so yearned for,
To be seen.
Soy una llorona,
Que me dicen que soy sensitiva
Que siento mucho.
Mucho que no quiero sentir nada despues que yo lloro
Y lloro
Y lloro
Me dicen que soy una llorona
And I give myself grace.
Hold more than just my pain,
Mas que yo soy adulta,
And need to play off fine all the time.
Tendons - Erin Marshall
Were we singular?
As I ripped your arms
And licked your tendons
Or was meat in my mouth just
Enough for me?
As game does in the jungle
Lept, cried
I smiled at your noises
That squeaked out of you,
Slow and yippy
I sank my claws into you and watched
Open mouthed as they pulsed through your skin
I grew lightheaded with each pump
My stomach clear
My nerves pricked and happy
I licked the skin and your warm sweat coated my teeth
You, gave me something more,
Not just food
The plump blood of electric life itself
Swelled with hormones and mind
I hope your last thought is of me
As I hold you in my teeth
And scrape the flavor off your body
And onto my tongue
I TAPPED A CIGARETTE OVER MY EX'S CUNT AND IT SMELLED LIKE NUTRISSE AND PINK WHITNEY - Savannah Mandella
LAST WEEKEND YOU LOOKED AT YOUR ASSHOLE
IN THE MIRROR, YOUR BACK BENT AT THE EXORCIST ANGLE
AND YOUR HEAD CRANED BETWEEN YOUR
KNEES LIKE A CONTORTIONIST PRACTICING A SET,
TWELVE INCHES FROM THE BATHROOM DOOR
WHICH YOU DIDN’T REALIZE WAS UNLOCKED
UNTIL YOUR ROOMMATE JIGGLED THE HANDLE.
AND AS YOU SHOOED HER AWAY,
VOICE WEAK FROM THE MUSCLE STRAIN,
YOUR BRAIN FELT THE NEED
TO REMIND ITSELF THAT
YOU USUALLY DON’T DO THINGS LIKE THIS,
LICKING ITS WOUNDS WITH A PRETENSE OF DECENCY
LIKE THAT SAME CONTORTIONIST AFTER
MISTAKING THEIR KNEE FOR THEIR
ELBOW AND SLIPPING A DISK ON STAGE
BUT KYLE WAS SUPPOSED TO COME OVER,
YOUR REFLECTION MEWLED IN PROTEST,
AND HE WAS GOING TO FUCK YOU
SO ONCE YOU HAD KICKED
EVERYTHING ON THE FLOOR
UNDER THE BED AND LITTERED
YOUR ENTIRE BODY WITH DAMP
PINK NICKS FROM THE RAZOR
AND FILLED UP THAT MAGENTA PLASTIC COMB
YOU’VE HAD SINCE YOU WERE THIRTEEN
WITH HARD KNOTS OF DEAD HAIR
AND JERKED YOURSELF INTO A WHITE
NYLON JUMPSUIT WITH LACE DESIGNS
OVER THE TITS THAT MAKE THEM LOOK
LIKE SOMETHING THAT A MAN WOULD BE INCLINED TO SUCK,
YOU REALIZED THAT, SHOCK AND HORROR,
YOU HAD NEVER SEEN YOUR OWN ASSHOLE.
AND WHETHER OR NOT IT WILL COME OFF AS
ADEQUATELY ENTICING TO KYLE,
YOU CANNOT CONFIDENTLY SAY.
AND YOU KNEW GOING INTO THIS THAT
SOMEWHERE OUT THERE IS A PERSON
WITH AN ANUS SO IMMACULATE THAT FINEART AMERICA
PUT IT’S CLOSE UP SHOTS ON AN IPHONE CASE
THAT YOU CAN BUY AND CARRY AROUND WITH YOU EVERYWHERE FOR 41 BUCKS PLUS SHIPPING.
AND AS YOU STAND THERE WITH THE BLOOD RUSHING TO YOUR HEAD TRYING TO KEEP YOUR KNEES FROM BUCKLING
AND LEAVING YOUR GOURD SPLATTERED
ALL OVER THE LINOLEUM FOR KYLE TO FIND
YOU’RE STILL FINDING THE STRENGTH TO BE
KINDA PISSED AT YOUR BEST FRIEND FOR SENDING YOU THAT LINK AS A JOKE. BECAUSE EVEN IF SHE DIDN’T MEAN TO,
(BLESS HER HEART,)
SHE GOT YOUR HOPES UP
THAT YOU, TOO, COULD BE WORTHY OF A FORTY DOLLAR IPHONE CASE, COULD ENTER MISS UNIVERSE KNOWING YOU HAD
A GUARANTEED WIN IN THE MANGINA CATEGORY,
COULD FINALLY DISCOVER SOMETHING ABOUT YOURSELF
TO BE LOUDLY, BRAZENLY PROUD OF.
BUT CERTAIN PARTS OF THE BODY DID NOT
EVOLVE TO BE SCRUTINIZED IN A BATHROOM MIRROR
AND EVEN THOUGH LOGICALLY YOU KNEW THAT FOR A FACT, YOU ALSO KNEW THAT ALL THOSE MILLENNIA
OF NATURAL SELECTION AND THEIR SUBSEQUENT IMPACT ON YOUR VARIOUS TUBES AND FOLDS AND COLLAGENS
ARE NOT KYLE’S FUCKING PROBLEM,
AND MAYBE THAT’S WHY IT’S A RELIEF THAT
EVEN AFTER DOING ALL THAT WORK,
THE JUMPSUIT AND THE COMB AND
THE STUFF UNDER THE BED AND THE GNAWING
AT YOUR SPINE
WHEN YOU FINALLY ALLOW IT
TO STRAIGHTEN OUT AGAIN,
HE, KYLE, CASUALLY REVEALS THAT
HE HAS A MENTAL BLOCK WITH CONDOMS
THE DANGER OF WHICH IS NOT KYLE’S FAULT,
AS HE HAS A HOST OF PREDICAMENTS THAT HE CALLED: “A LATEX ALLERGY”
“A THIRTEEN INCH DICK”
“A WEIRD CURVE IN THE CENTER”
“A CLEAN BILL OF HEALTH FROM THE CLINIC” AND YOU GET TO LOOK BACK AND REALIZE THAT HE WASN’T JUST ASKING ABOUT YOUR BODY COUNT BECAUSE THAT IS A NORMAL QUESTION TO ASK IN THIS AGE OF THE
HIGH VALUE MAN AND THE SEX SLAVER PODCAST WHERE THE GIRLS IN LOW CUT TOPS WITH CHUNKY HAIR HIGHLIGHTS SIT IN A CIRCLE WORDLESS AS BLOW UP DOLLS
AND LISTEN TO A GUY RAMBLE
ABOUT HOW THEY ARE “SOIL FOR HIS SEED” AND I’M STRONGER, I’M SMARTER,
I’M BETTER. I AM BETTER.
KYLE ASKED TO KNOW
HOW MANY MEN YOU HAD FUCKED BEFORE HIM BECAUSE KYLE WANTED TO BE SURE THAT SOME VENGEFUL ANTEDILUVIAN GOD OF OLD WASN’T GOING TO REACH DOWN AND SMITE HIM WITH HERPAGONASYPHILAIDS
JUST BECAUSE HE MADE THE MISTAKE OF
PENETRATING YOUR FRESHLY NAIRED HOLE WITH HIS 6 BY 2 INCHES OF BARE DICK.
AND YOU THINK ABOUT
THE MONO YOU GOT FROM THAT
HALF-EMPTY-HALF-BACKWASH BOTTLE
OF BLUE RASPBERRY SVEDKA WITH
AMBIGUOUS BROWN STAINS ON THE RIM
YOU PUT IN YOUR VIRGIN MOUTH LAST APRIL BECAUSE YOU THOUGHT IT WOULD MAKE
A COOL SELFIE WHEN YOU WERE
PLASTERED AT 2 AM
AND SURELY NOBODY
BROUGHT ENOUGH ROHYPNOL
TO TAINT 750 MILLIGRAMS OF LIQUOR.
YOU THINK ABOUT SHOVING A CARROT
IN FALLOW SOIL, LOOKING DOWN
AND SAYING “GROW.”
AND IN THAT MOMENT
YOU HAVE BEEN TEXTING KYLE
FOR A WEEK NOW AND YOU HAVE SHARED
TEN WORDS OVER THE PHONE AND
HE HAD A NICE VOICE, YOU REMEMBER THINKING,
SO ONCE YOU’VE TUGGED
OFF THAT HORRIBLE JUMPSUIT
AND GOTTEN BACK INTO YOUR EMPTY BED,
REFUSE RATTLING AROUND UNDERNEATH THE MATTRESS, YOU WANT TO USE YOURS
TO SAY ALOUD, TO NO ONE,
THAT YOU’RE NEVER
GONNA SEE HIM AGAIN
BUT YOUR LIPS GO TO FORM THE WORDS,
PUCKERING UP TO THAT O-SHAPE OF MIMETIC PERFECTION LIKE YOU SEE ON THE HUB,
AND YOU REALIZE THAT YOU NEVER ACTUALLY SAW HIM IN THE FIRST PLACE.
AND YOU DON’T WANT TO LOOK STUPID DO YOU?