Fall ‘21 Poetry


 

Patrick Demers
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Lethargy

The weight of the world is crushing;
even Atlas would succumb
to the burden.
My might fades slowly
and my consciousness shrinks in turn.

My eyelids hiss and sputter,
cogs grind and sparks fly,
my mind’s machinery
is ablaze from the friction;
hundreds of men shout commands,
thousands more sing lullabies.

Metamorphosis.
A knife cleaves the din,
And the gash emanates nature’s melody,
playing beats on my eardrums.
A leaky faucet keeps time.
A fly whispers its Lilliputian secrets.
I am bound tight, paralyzed,
but the siren’s song drags me deeper to
the murky depths of unconsciousness.

I deflate with every breath.
Cognizance eludes me.
The battle has been lost.
I lay down my weary arms
and raise a white flag to my chin.
Only in surrender can I truly find peace.

 
 

Luca Tzimas
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Ode to Villain Cold

O Villain cold, Autumn warned of thou, 
On winds back she rode, faster than any mare, 
To then wither away, for thee to endow, 

For three siblings, declare thy an enemy, 
To one child of death to foil, 
O forever suffocate the pride of humanity, 

But what is thou if not man's greatest friend, 
An ally disguised as a colorless storm, 
There in the beginning, and the cause of the end, 

O Villain cold, it's about what thee brings, 
The empty, the lifeless, but yet they all sing, 

And why do they sing, the crops are all gone, 
The child of Demeter sent to thou father, 
Yet they sing, and sing well till the break of the dawn, 

They carol for thee, o lord of white snow,  
And promptly due: for here is a secret that humanity holds, 
But the siblings three shall never know, 

Thou may be the end to human life, and all 
Progress it makes, but Villain cold, 
Thou art humanity's birther, contrast to the fall, 

Fall is a midwife, Spring an old friend, 
And Summer is a mistress, whose heat  
Gives pride, but abandons in the end, 

Mistress Summer, for her heat I admire, 
But tis a shell of warmth with a lover, as we sit by the fire, 

O, the fire, the way it grows wild,  
But the sparks of it in darkness old, much 
Preferred by the lord of cold, a most favorite grandchild, 

Yes indeed, fire is humanity's child, 
Born back when Villain Cold falls to darkness, 
The men birthed fire upon logs, and kindling piled, 

Fire shapes humanity, a necessary tool 
To give light in darkness's day, and to  
Battle Father Cold's unwavering cool, 

That warmth from the fire renders Helios old, 
It is ours to own, to shape, and 
In a past Promethean gratitude, we thank Villain Cold, 

O, the cold deemed villain, how much we do owe, 
A debt that can only be covered, like a blanket of snow. 


Luca Tzimas is a sophomore at UAlbany. Being an English major with a law background, Luca has little experience with poetry or fiction writing. Nonetheless, he considers poetry a hobby and works at it in his free time. Luca’s inspiration for this piece comes from “Ode to the West Wind” by Percy Bysshe Shelley.

 
 

Yetunde Babalola
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God Save The Children

A new poem 
for the mind at rest 

O God save the children 
did I lose my rhythm 
did i drop my pen 
these blood stained shoes 
with not a chance to look up 
not a chance to move up 

why they stare at me that way 
like I’m rambling nonsense 

I’m just trying to recreate structure in my mind 
recovering from a month of retrograde 
so just give me time 
its raining 
And I don’t have an umbrella 
So I’ll just let the rain pour down 
let it wash me down 
with the crowd 
next to all the washed out creatives 
took an insanity plead 
now their soul trickles and bleeds 
For white boxes 
white papers 
white pens 
and white staplers 

wait till they staple me down 
with the crowd 

shapeshifting with dirt 
arms stretching 
to sun rays 
just trying to add some light 
to the darkness 
and I’m darkest when I’m not writing 
when i take a vacation from my feelings 
And my being’s to the ceiling 
but my mind is on ground zero
Blank 

yeah she a zero with blank thoughts 
is what I would stay if I gave up 
But I’m wide awake 
trying to decode the meaning of my life 
Like 

why they make me this way? 

An incomplete puzzle piece 
An equation with no solution 
A scatter brained ray of sunshine 
Devine 
But Confused 
Trap Doors disguised 
as the key to the fame and limelight 
I pray I don’t trip 

But I pray I catch me 
When I fall 

That I complete the puzzle piece 
And I will keep rising 
Till my worries cease 
The War I see is within me 
And I refuse to let the enemy win 
God Save The Children 
Save them from their worries 
Save them from world 
From themselves


Yetunde Babalola is a senior at the University of Albany with a Political Science Major and English + Theatre Minor. Yetunde is currently the treasurer of Phenomenal Voices and president of Black Theater productions. Yetunde has received an honorable mention for a Shields Mcllwaine Award and has been a part of two Arch Publications prior. They get inspired to write about topics that others are wary to touch on.

 
 

James Schaffer
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A Peach

Softly indenting your nose, 
a gentle pollinic fuzz 
with the pink scent of simmering sunsets 
and dim comfortable homes. 

Filled floral bowls. 
Fingertips swirl airily in a palm, 
rolling the diluted Tiger-red gradient of a 
shy, stomach-pitted fruit.

 
 

Hellfall

Infinitely tired - as I am - plummeting into the sin-tainted gorge. 
His dream faces, taunting through a swell of damaged ballads 
from the pianist’s skeletal-white fingers. 
Damned in the walls of that red room - his reversed laughs swirl, palming the back of my head. Held to the fire, the flames, by it’s sick soundlapped layers. 
As one must be. Pushed face first. 

Not even three-pronged forks are enough to rake me over these coals. 
Not for the time I deserve. 
Twisting, arching, knotting, gasping to show my fangs. 
Begging… 
Begging to sell the fallen dust from my cracked soul for permanent bliss. 

In life I chiseled a piece for you - 
and now... it shatters all itself. 
Paths of its unsifted pebbles lead to my bemoaning heart. 
In the red room. Blank - and falling to his song and laughter.

Eternally Still Memories of You

Each of these. Each one. Each moment lost to time. Each of these. Each day. Set free. A 
Bluebird spanning, silhouetted beyond recognition. The sun washes down the sloping hill,
chasing children’s laughter. Sunbeams mature into a baked sepia, burning memory to ash. 
Longing. Long ago. Long to return. In grain swept valleys of cherubs past, abandoned though 
not left behind, the whipping ends of befallen tallgrass cede to twilight; trampled beneath 
budding steps. 

Return. Return to this place where your blossoming began. Cling, as dew to the thistle’s purple
shaded barbs. Cling to those empty eves of laughter. Remember your efflorescing, and through
ash awakens a blooming hereafter.

 

A Song That Doesn’t Exist

I’ll play you a song that doesn’t exist 
til dawn to be forgotten.

Elusive notes kissing each corner 
of your sigh-blushed cheeks. 
Scattering and fleeing; 
I can’t remember how they went.

Off-tune in the air, 
something beautiful buried behind this painful cage 
escapes from my jagged hands.

If I could keep us in a jar 
like through museum glass preserved, 
I’d choose to set us free, 
and we’d sing new songs 
for as long as “we” would be.


James has spent the last 23 years living in small, mostly empty town, about thirty minutes outside from Syracuse, New York, named Eaton. There’s not a whole lot to do, so he focuses a majority of his attention to the arts. Whether it be music, painting, or writing, whether he enjoys it or not - James finds himself drawn to creating. And while he never initially planned to - he ended up writing numerous novels inspired by the almost perpetually vacant feeling of living in the small town United States. Poetry is a way for James to try to express more complex feelings to others and he hopes that it resonates.

 
 

Madison Mau
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The CopyCat

Why do cats dote on birds?
Do they yearn to fly or
Are they jealous of their agility?
Are they fascinated with flight
And every jump from a ledge
An imaginative flight to new lands,
Dreaming of soaring over trees and
eating small sweet seeds,
Singing golden love songs
And flashing fresh designer cloaks;
A fabulous masquerade ball
Where the birds spin and whirl
In delicate mating dances.

Is there a secret joy
In watching feathers fly,
More intriguing than the scamper
Of a woodland friend?
Or are they too similar to you,
Their four little legs
And soft bushy tails?

 Are you fascinated in the glamour
That comes with a bright motley of colors
Sky blues and sunset yellows?
For it is only when
A winged friend stops by
That your eyes sparkle;
A green lake of crystal waves
The autumn sky adorned with twinkling stars.

Your voice raises in pitch
You chirp in a staccato cry
When you watch the birds
Fly close by.
If you wish your voice
Was as melodious as them,
Worry not
You sing an opera
And I, your willing crowd,
As you breathe out
Long deep bellows
And high pitched falsettos.

You strut across your stage
Your white high heels silent
And you turn every head
With your air of confidence.
And gain an admirer
Of every eye turned your way.

 
 

A New Thanksgiving Dinner Table

Second-rate food lay steaming on the table,
Not the usual honey-sweet feast
I’ll try to eat if I am able,
But my appetite has greatly decreased.

We have a new guest at our home
Who dresses only in black clothes
And on that fated day he arrived, my heart beat like a 170 bpm metronome
The day after he arrived, my time quickly slows

The dishes being used are all cracked and broken,
All lined up and dusty with recent neglected misuse
While we eat, almost no words are spoken
Four chairs lined up for thanksgiving dinner, only three of them in use

Our guest showed up suddenly
Not taking up any room
Because of him we carry ourselves sullenly
He always brings lilies, which look and smell of doom

 
 

Hollow

He wakes to a new day
starved and exhausted,
breaks four eggs--
scrambled.
Crunching on shells and
mulling over
what he knows he’s lost
and that he yet does not.

He reaches for his pills
and breaks a bottle
filled with Alcohol
and last night’s anxiety.
He swallows the broken glass
as he swallows the pills,
hoping to close the open wound
that oozes blood
and contaminates
everything.

Head aching,
he cries,
collecting his tears in a pot.
When his reservoir dries up,
he puts it through his coffee maker
then puts it in an IV bag,
stabs the needle into his arm,
and fills his blood with
pain and addiction.

Body stinging with pain,
he eats his nicotine
coated in butter and syrup
and it soothes his cuts.

He breathes the outside air
as he walks to work.
Enjoying the fresh smoke
that fills his lungs with glee,
and blackens his heart,
ignoring the pain
each breath brings.

The day is hot
his sleeves constrict his arm,
which conceals the tally marks
that count down his days in purgatory,
trying to 
muffle the screams
that so desperately cry for help.

He sits in his cubicle
finally safe.
And he drowns himself in his screen
with the same fervor
a starving man eats a buffet.

 
 

Ruyen Phan
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Monestery Haibun

They say it’s in upstate New York, but it never feels that way going there. Exiting my dad’s metallic, navy blue, 2001
Nissan Quest, why does he keep buying the same car? and feeling the gravel crunch underneath my sandals, I know that I’m not in New York anymore. Creeping past the lions and elephants that defend this temple hidden in leaves. Turn left, go up, and up, and up, and higher still, as close to heaven as possible, so that mā ma and yé ye can hear me better. At the top of the hill where they reside, the two metal rectangles amongst hundreds of others on the polished stone walls, how could they fit in such a small space? I pray, a still burning incense stick clasped between my two hands, the cinnamon, sandalwood scent of the incense caresses my nose, the spirits of my grandparents look down at me from the sky, staring bullets through my skull, what should I say? What should I say? What should I say? How do I speak to the cold metal that is supposed to be them? My lips try to form words, my vocal cords vibrate still, dead air, all I manage is a meek, “hello”. 

The sky a dull grey, 
The birds and bugs are silent 
Dead steel on cold walls


 
 

Mamushi

In the long heat of summer
A Viper under metal sheets
Sneaks along the cool damp dirt
To find a meal

Against the blue grass
The serpent spots a warm meal
As Benzaiten’s biwa lute
Plays in time with Mamushi’s movements

The strings resound single notes
As Orochi st-stutters t-towards
The unsuspecting rodent
As the biwa plays faster with greater intensity
The Viper STRIKES
No longer reptile
But an arrow loosed from the treeline
Head tipped with poison
As the rodent desperately scurries away
Bensaiten’s patron follows its dying heat
As the rodent comes to a standstill, dead
Allowing 蝮 to consume its meal
As she returns to the blue dirt under metal

Footnote: 蝮 - Mamushi


Ruyen Phan is currently a third year english major at SUNY Albany. His main interest is playing video games, but he is currently learning how to skateboard. He is currently studying Japanese with the goal of becoming an assistant language teacher after college.